| Subject: |
|
David's e-mail to the chorus, 11/06/06 |
| Name: |
|
Liz Simpson |
| Date Posted: |
|
Nov 6, 06 - 6:14 PM |
| Message: |
|
David has prepared a document with score markings for Otello. I have copied and pasted the text of that document here, but there is formatting (bold, italics, etc.) that has not be retained in this plain text e-mail.
So, I have created a PDF file of David's document and posted it on the website. Go to the Chorus News Page (http://www.oratoriosocietyofny.org/ChorusNews.html) and find the graphic icon for the Opera Orchestra Information. Below the graphic you will see the text "[Click here for score notes]". Click on that, and the PDF file will open. You'll see David's nicely formatted document, suitable for printing.
Liz
+++
Please pencil in these markings so we can save time during rehearsal.
I will refer to the passages in three ways, trying to make it easy and fast for all to find.
For example:
1) Page number and measure number (P.13, MS 38)
2) Page number and rehearsal number (P13, RN 17)
3) Page/System/Measure (13/3/4)
The three examples above refer to the same place (the first entrance of the chorus)
13/3/1 il (of vi-va il) as a 16th note at the end of the bar.
14/1/2 in (of invito) as an 8th note at the end of the bar.
15/1/3 Bass, p cresc. poco a pcoc: Lui with a stress on the ‘u’.
15/2/2 Tenor, p cresc. poco a poco
15/4/2 mp molto cresc.
16/2/3 w/p.u. mp molto cresc.
16/3/3&4 ff
16/3/3&4 Tenor sing the Eb, Alto sing the F#
17/1/2 w/p.u mp molto cresc.
17/2/2&3 ff
17/2/2&3 Tenor sing the Eb, Alto sing the F#
P.27 RN. 30 ff
P.27 MS. 58&60 ni a (of vie-ni a) Very fast
P.30 MS. 105 pp
P.30 Last MS cresc.
P. 31 ff
P.62 RN. 64 f
P.62 RN. 64 I (of I-men) as a 32nd note at the end of the bar)
P.62 MS. 55 Soprano, p
P.62 MS. 57 w/p.u. Alto sing the il as a 32nd note, p
P.62 MS 62 w/p.u. Tenor and Bass f
P.62 MS 63 w/p.u. Soprano and Alto unison, f
P. 63 MS 66-68 Double dot and then make the 16th 32nds.
P. 63 MS. 70&71, p
P. 64 MS. 82 Double dot and the last note 32nd.
P. 64 MS. 87 w/p.u T. Double dot Qual and make mo (of momento) a 32nd, p and short
P. 65 MS. 89 w/p.u B. Double dot Qual and make mo (of momento) a 32nd, p and short
P. 65 MS. 91 w/p.u S. Double dot Qual and make mo (of momento) a 32nd, mp and short
P. 65 MS. 93 w/p.u A. Double dot Qual and make mo (of momento) a 32nd, mf and short
P. 65 RN. 66 w/p.u. f
P. 66 MS. 99 w/p.u. ff
P. 66 MS 101 Accent on sier (of pen-sier) and resta, subito p
P. 66 MS 103 Accent on sier (of pen-sier) and resta, subito p
P. 66 MS 106 f
P. 67 MM 110-112 Double dot il and make pen (of pensier) a 32nd
P. 81 RN. 84 w/p.u mp
P. 82 MS. 357 f
P. 82 MS. 359 p
P. 85 MS. 405 ff
P. 85 MS. 408 p and meno mosso
P. 86 MS. 413 dim.
P. 89 MS. 438 p
P. 89 MS 440, after 2nd beat, f
P. 90 Last MS f and staccato
P. 92 MM 471-478 pp poco a poco cresc. and very short
P. 93 MS. 479 f
93/2 ff
PP. 95-98 Same as above
PP.99 w/p.u. - 102 ff
159/1/1 Soprano and Alto, p
159/2/4 S&A put the ma (of Tre-ma il) as a 16th note before the 3rd beat
161/1/2 T&B, mp
161/2/3 T&B, f
161/3/2 mp cresc
162/3/1 w/p.u. Alto mp
162/4/3 w/p.u. Tenor mp
163/1/2 w/p.u. f
P. 164 MM. 100-102 p, marcato
165/1/1 mp
P.166 MS. 214 the a (of giu-sta è) very short and light and stress on è
P. 166 Last bar mf
168/2/3 poco a poco cresc to ff in RN. 162
201/3/2 w/p.u. f
202/2/2 ff
Finito, ragazzi e ragazze…. Tante grazie!!!! |
|
|
|
|
|
|
Reply
Home
bravenet.com